And the Grammy goes to...
So the Grammy nominations came out Wednesday night in a star-studded television event. (In which the music industry dissed radio... the medium that MAKES them stars... but that's a whole different argument.)
I'll admit, I've been bored of the Grammys for a while now. If you died the year before... expect a Grammy (which is why George Carlin will win the Comedy Album Grammy). If you had the words "buzz band" attached to your name, you'll at least be nominated. And this year, it seems that if you were ever in Spin magazine, you gathered some attention.
I was sitting at my desk prepping my show, scrolling through the nominees, and I cam across the "Best Soundtrack" nominees.
Best Compilation Soundtrack Album For Motion Picture, Television Or Other Visual Media
(Award to the Artist(s) and/or Producer(s) of a majority of the tracks on the album, or to the individual(s) actively responsible for the concept and musical direction and for the selection of artists, songs and producers, as applicable.)
- American Gangster
(Various Artists)
[Def Jam]
- August Rush
(Various Artists)
[Columbia/Sony Music Soundtrax]
- Juno
(Various Artists)
[Fox Music/Rhino]
- Mamma Mia!
Meryl Streep (& Various Artists)
[Decca Records]
- Sweeney Todd — The Demon Barber Of Fleet Street
(Various Artists)
[Nonesuch Records]
Isn't the "Best Soundtrack" Grammy basically a Grammy for having the best Mixtape?
It's like you put together the PERFECT mix. The mood fits perfectly, the song flow is exactly what it should be. But oh yeah... you have a major film to attach it to.
Who will win this Grammy this year? I don't know. I don't own any of the soundtracks. But the mix CD in my car right now is definitely more bitchin'.
And a final thought... the "Short Form Music Video" Grammy... is that basically an MTV Video Music Award on a grander scale?